Showing posts with label marina and the diamonds. Show all posts
Showing posts with label marina and the diamonds. Show all posts

16.8.12

stresses of success, and other semantics




It's 8pm. I'm revising for my driving theory test. My chest starts beating loudly, but I ignore it, and continue assessing where the one or more potential hazards are in this 1 minute film clip of Swansea high street. Turns out it's the subtle old lady at the zebra crossing. Bitch.

I check my emails. Write a list of tasks to be performed tomorrow evening when I get in from work. I re-check my emails. I listen to Are You Satisfied? by Marina & the Diamonds, and silently concur that creative success is more important than meaningful human connections. I sneeze. My heart begins to thud. I think how I have to be up in six hours to do the test before I go to work. I add 'Email Magazine?' to the list. I clutch at my chest as the heartbeats become irregular and painful.

I consider my career moves for the next five years. I make a 'things to achieve by 30' list. Learn Spanish seems a conceivable NO: 3 after Publish Novel and Live In Various Countries As Successful Author/Journalist. I glance at the clock. It's 12.30. I rub my hand across the left side of my chest where it is starting to tense up. I try and sleep for two hours.

Around 3 AM I wake and think I am having a heart attack. I wander around the house for a while. Take deep breathes. Stroke the cat. That kind of calming shit. I don't ring for an ambulance because I need to go back to sleep to be ready for my theory test in three hours.

At the test centre, I feel as if I'm going to black out. But I continue clicking NEXT QUESTION. When I leave with a Fail, I get into my parent's car and say, 'I think I need to see a doctor.' Several hours in A & E later, a stern thin female Soviet Block doctor informs me that the blood tests have come back fine, the heart X-ray shows no anomalies, the scans reveal no distinct disorders, but that, yes, I am indeed experiencing severe heart palpitations. Her eyes soften as she witnesses my smoking and drug-taking admissions in front of a nurse and both my parents. (Incidentally, they didn't disown me). She leans in and tells me that the most likely cause is a prolonged period of stress topped off by a catalyst that has caused my body to freak the fuck out as it JUST CAN'T TAKE ANYMORE. She advices me to calm down, stop smoking, drink less coffee, and hopefully the erratic beats will gradually desist. I tell her I have a deadline this afternoon.

*

This is not a new conundrum. Only this morning I read an article in The Guardian about author Al Kennedy's continual over-work/illness relationship. And obviously we know Marina's thoughts on the subject of career progression. Is in surprising, then, that creative people infamously are workaholics/stress-heads/depressives/psychopaths? Is trying so hard to push your work, your career, fuck, your vocation, really worth it for a heart murmur and a failed driving test?

Obviously my answer is yes.

But it's about pushing it in the right way. Making manageable goals instead of freaking THE FUCK OUT that you haven't nailed your life list by thirty (I'm twenty-five, so I've still got a while before the inevitable realisation). When you want something so badly, as the Olympics may well have taught us, you work hard at it and will do anything to get it, and then, perhaps, it will be yours. Just as long as you don't have a heart attack before the starting gun goes off.

What I have learnt and you can learn without adversely affecting your health:

Chill out. Stop beating yourself up. Work hard. Be committed if this is what you really want. But don't go overboard. You are not a (work) robot (ha ha).

DO: Work hard.

DON'T: Work too hard. Your heart might be in it - which is where you want it to stay.


Now, I'm off to drink green tea and listen to whale music.

16.6.12

POPULAR NARRATIVE




I don't know about you, but I love narrative fiction and I also love music. And there's something so witty and powerful about when the two are combined.

Obviously this is not a new phenomenon. And there's a lot of shit passed off as 'story telling in pop.' But I am suddenly actively appreciating artists whose lyrics specifically want to tell you a story about someone or something.




Recently, Marina and the Diamonds have taken a sort of funny turn that I don't know if I can condone. To assure myself that I do still like her, I've been rewatching stuff from her first album. I say 'rewatching' as apposed to 'relistening,' because her videos are always an intrinsic part of the narrative aspect of her song. My favourite it Hollywood, for several reasons:


- It poses complex questions about the desirability of the American aesthetic in terms of pop culture, life and moral choices.

- She states that she is, 'obsessed with the mess that's America.' A statement that calls herself into moral questioning, because she is openly admitting her admiration that she conversely knows manifestly not to be good.

- She tells the story of a Polish girl in America who is after the modern, glamourised 'American Dream,' while expressing her own desires to have this life she knows to be false, and, simultaneously, commenting on all of our desires to adhere to this idea of beauty, desirability and aspiration.

- The video is a witty and beautifully executed addition to the song's layered messages, making the aesthetic both desirable and ridiculous in it's pastiche of Americana. This is further highlighted by the sinisterly produced hook that starts the song: 'American Queen is the American Dream.'

- The clever and insightful lyrics:

'She is a Polish girl in America/ Tall, tanned hot blonde called Anya/ I asked her, "Why would you wanna be a Hollywood Wife?"/ "Because I don't want to end up living on a dive on Vine".'

'Hollywood infected you brain/ You really wanted kissing in the rain/ I've been living in the movie screen/ Puking American dreams.'

'Your mind is just like mine/ All filled up with things benign/ You're looking for the golden light.'


Not your regular lets get drunk, get on the floor, get in the sack sort of pop lyrics. Tres bien, Marina.




I can hear what you're thinking: Sure, there are about a million other examples in folk, nu-folk, rock, indie and all other kinds of music. What about amazing left-field artists like Joanna Newsom, Bob Dylan etc, etc? And you are right. But what I like about this specific example is the apparent mainstream nature of it all. It's like it's subtly sabotaging it's own world but in a way that might initially go unnoticed.

Her more recent single Primadonna hints at a similar interest in deconstructing the apparently desirable American pop image, but the lyrics are nowhere near as insightful. I can't help feeling she's succumbed to it a bit. The blonde hair with big black roots is an interesting statement though. And she has been releasing singles from Electra Heart in singles titled as Part 1, Part 2 and so on, implying they are parts of a story that makes up the album, or facets perhaps. In interviews, she has said this entire album is about love. Urgh. But it still has some MATD idiosyncrasies. I still have faith.



9.4.12

Anal, Marina and the Paris Review.


A bits and bobs sort of post because I'm super busy right now.
Or we could call it a Quotes Bonanza.
Or we could call it a four day weekend. A four day weekend.
I'm not sure if you're aware of this, but it is an obligatory bank holiday tradition that Super Girl is on at some point. It hasn't yet - but I'm still holding out. While we're waiting you can enjoy these quotes/videos/incredible 80's film still.


'Overall I'd say it was okay - like going through a little door into a big room. I prefer vaginas.'

- The narrator of Matt Sumell's short story Toast in the 200th edition of The Paris Review on first time anal sex with his girlfriend.


Life is, 'Tragic in Structure; comic in texture.'

- John Lanchester, discussing his recent novel Capital on BBC 4's Open Book with sexily huskily spoken Mariella Frostrup. I like that one very much.


'The imagination is in love with the feel of fact.'

- John Bailey, on verisimilitude in literature.


'The soul that sees beauty may sometimes walk alone.'

- Johann Wolfgang von Goethe (someone emailed this to me yesterday).


This video, which was sent to me by Robert Van Oz. Check it out:



I'm well feeling Marina and the Diamonds recently. Her new album, Electra Heart is out on 30th April. And here's a couple of highlights:




I'm also getting pretty obsessed with the Drive soundtrack. Fuck - everything to do with that film is great.



The video theme seems to be projections on walls with people in front of them. Curious, no?
Oh well, back to Super Girl then.