8.3.13

How Should a Person Be?


Who knows. Maybe Sheila Heti does. Find out HERE.

Indie Chiaroscuro

Not content with Alt-J's dominance in turning classical works of art into extremely enjoyable hipster dubstep choral pop-rock, Myles Manley & the Little People have spliced scenes from Caravaggio paintings together to form a music video for their track Easter Morning. Interesting and relevant, here's something to play in the background while you while you tuck into your hot cross buns.



1.3.13

DrunkenWerewolf Issue 4 out today!


DrunkenWerewolf Issue 4 is out today FREE! It features the next big thing in indie pop Bastille as well as Anais Mitchell & Jefferson Hamer, Gabrielle Aplin, Olo Worms, Glis Glis and a very good, amusing column by yours truly. It is especially amusing this month, if I don't say so myself. All the more reason to pick one up in Bristol for free or download it from the website

28.2.13

Little Known Facts


I heart this crisp, classic cover. For an interview with its designer, Natalie Slocum, pop over to Huffinton Post Books

26.2.13

New Truman Capote Covers

Designer Eric White has reinvented Truman Capote's seminal works for Random House. And they are sick. Particularly the cover for In Cold Blood. His website is full of awesome images. 





25.2.13

The Joy of Books

Clever, cute and shamelessly stolen from the Paris Review Tumblr, as per. 




20.2.13

The Ticket That Exploded



Beatnik crack and the printed form: Calder & Boyars edition, 1968, designed by John Sewell.
More info over at AnOther Magazine.

Hubert Duprat's Insect Art


French artist Hubert Duprat makes sculptures that also make themselves, utilising structural elements of the natural world: crystals in rhomboid formations placed in patterns that emulate or display their natural form; and these below: caddis fly larvae, which create protective cases from their environments. In this instance, Duprat has supplied them with gold and pearls. This makes me go all Attenborough. 














18.2.13

Underground Art


The Tube has been around for 150 years, and the London Transport Museum are celebrating it with an exhibition of its many posters. This devilish one advertising smoking carriages is particularly nice I think. Check out the beautiful subtleties of the blue text.

More info over at Creative Review

12.2.13

Depression Rebranded



There has been controversy over Faber's recent 50th anniversary edition of Sylvia Plath's partially autobiographical novel The Bell Jar. The criticisms have mostly centred on how this new cover, complete with red lipstick, compact and joyfully haphazard cursive script, makes the book look too much like 'chick lit.' 

And, well, yes, yes it does. 

This seems foolish for two reasons: 1) It gives the wrong impression of the sentiment or plot of the book, and 2) It's going to confuse the hell out of people who have never read it before. 

Someone wonders round Waterstones the weekend before their trip to Majorca trying to pick out a couple of 3-for-2's to gently read on the beach between drinks and dips in the ocean. They pick up this copy of The Bell Jar. They think, 'ooh, this looks nice. I did like that chocolate book they made of the film with that lovely Johnny Depp and that French bird in. Just pop in the basket....' Then, days later, they are confronted by one of the rawest and most accurate descriptions of depression to have made it into popular literary culture. 

Perhaps this is good, you are thinking? Perhaps it is good to lure people in with the promise of badly written sex scenes and Jane Austin rip-offs. And, like, yeah. Maybs you're right. Totes blates this will attract a different kind of audience to the book and, sure, that can only be a good thing. But it doesn't seem very honest or accurate. In fact, it reminds me of the trailer to The Shining that has been re-cut to make it look like a romantic comedy. Gets in a new bunch of people (and wallets), but not exactly appropriate for the content. 

A more representative cover was in fact already used by Faber and Faber when they took the book up in 1966, by in-house designer Shirley Tucker. The cover and an interview with Tucker are below. So why the U-Turn, Fabes, ehy? 




9.1.13

No man is an Island



Check out this 1984 cover.
Now check out this poem. 


No man is an Island,
Entire of itself;
Each is a piece of the Continent,
A part of the main;
If a clod be washed away by the sea,
Europe is the less,
As well as if a promontory were,
As well as if a manor of thy friends
Or of thine own were.
Any man's death diminishes me,
Because I am involved in Mankind.
Therefore, send not to know
For whom the bell tolls;
It tolls for thee.

– John Donne


(Can you tell I'm putting off working on my dissertation. Some of the info is still managing to osmosis it's way in, like this diagram of Hallin's Sphere about how the press something something... frustratingly reproduced on bubble wrap. I kind of feel like an island right now. Or a sphere within a sphere. A wheel within a wheel.) 


27.12.12

Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.

– Kurt Vonnegut

 

Found sifting through the beautiful images at Colchu